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Showing posts with label Rock. Show all posts
Showing posts with label Rock. Show all posts

Tuesday, December 20, 2011

Top 11 of 2011

"2011 was a great year for music, especially hard rock and heavy metal. A lot of big name bands put out records this year, but only 11 releases shall be deemed worthy enough to be recognized as my favorite albums of the year!"

So without further ado, here are my 11 favorite albums of 2011!!




11. Falling In Reverse - The Drug In Me Is You
I waited a long time for this record, and it matched every expectation I had upon it. Ronnie Radke is one of my favorite vocalists and I waited two and a half years for him to get out of prison and release this album.

Apparently, Radke's prison sentence did him good as his screams and growls are more vicious sounding and his singing is more melodic. 

“The Drug In Me Is You” is a very diversified record as it has a great combination of poppy catchy rock songs in the beginning and heavy brutal hardcore tracks at the end. 

I smiled like a 14 year old girl who shops at Hot Topic when I first heard “Raised By The Wolves”, as it is classic Ronnie Radke and a perfect blend of all the tracks on the album combined. The title track is infectious with a great chorus and I haven't stopped listening to “I'm Not A Vampire” since I first heard it.

I still listen to this album all the time and find it to be a triumphant return for one of today's greatest rock stars.








10. Amon Amarth - Surtur Rising
This summer I saw Amon Amarth live and it was undoubtably the best concert I ever attended. 




With their latest release, the melodic Swedish death metal vikings deliver a great followup to their masterpiece “Twilight of the Thunder God.” "Surtur Rising" lives up to the saying if it ain't broke don't fix it, and Amon Amarth gave us another crushing death metal record at the highest caliber with this release.

The lyrics are all about Norse God's and vikings, but the musicianship of the band is the best part of the record. The bulldozer catchy riffs performed by Amon Amarth are legendary and emotive providing the perfect soundtrack to pillage and rampage a town too. 

The songs on “Surtur Rising” are a little heavier than on “Twilight..” and deliver a big viking boot right up your Asgard. The rallying anthem “ For Victory Or Death” is my favorite song and has a breakdown at the end which always brings a malicious grin to my face. 

One of the greatest modern metal bands alive, Amon Amarth are unlike any other death metal band you can find, plus their name is the Sindarin translation of Mount Doom from the “Lord of the Rings” books. You do not get more metal than that!










9. Chickenfoot – Chickenfoot III
The best way to avoid the sophomore slump, skip it. That is what Chickenfoot did with their second record, “Chickenfoot III.”

Comprising of two former members of Van Halen (Michael Anthony & Sammy Hagar), the drummer from the Red Hot Chilli Peppers (Chad Smith) and Joe Satriani, the greatest guitarist in the world today, Chickenfoot is by all definitions a super group. 

A diversified record, “Chickenfoot III” is a great front to end album. From bluesy vibes to soulful grooves to touching ballads to big rock and roll anthems, “Chickenfoot III” delivers from all aspects.

All the tracks compliment each other, and the band has progressed and seem more in tune with one another, creating the best possible songs, while showcasing each band members individual legendary talents.

“Chickenfoot III” is a great hard rock album from great musicians and is a fun record just to put on and have a good time too. 







8. Trivium – In Waves
I've been with Trivium since the beginning of their career, and I'm a huge fan of theirs. “Shogun” is a record that I will always hold close to my heart, so I was expecting big things from “In Waves.”

The album is a step in the right direction, but it is clear Trivium is still experimenting and toying with their sound. “In Waves” shows moments of brilliance and the new element of blast beat drumming by new drummer Nick Augusto, really spices up the album.

“In Waves” is also by far Trivium's most mainstream record, especially with the radio friendly single “Built To Fall” and it is obvious, Trivium is trying to take that next step and write catchier tunes. 

Singer/guitarist Matt Heafy has always been an extraordinary guitar player, but on “In Waves” his vocals have vasty improved. His screams and growls are filled with such venomous rage, and his clean melodic singing is light years better than it was in the past, as evident by their live performances. 

“In Waves” features some of Trivium's best work, and while I doubt it is going to be considered their magnum opus, the band is improving on every new release. I am excited to see where Trivium goes from here because “In Waves” has some strong features which could elevate and push Trivium to the next level and into that upper echelon of the metal world.









7. Korn – The Path Of Totality
Korn has never been a band that plays by the rules and is a band which is always reinventing themselves.

After last year's fantastic “Korn III: Remember Who You Are” which showed the band returning to their metal roots, their latest release “The Path Of Totality” is a complete 180. 

A full out experimental release, Korn delves into new territory and collaborated with some of the top dubstep and electronica musicians from around the world including Skrillex, Datsik and Kill The Noise amongst others on “The Path Of Totality.”

Although Korn is not the first band to mix electronica and dubstep into their music, they are the first band to write songs with this sound in mind. These are not a bunch of remixed tracks, as Korn actually wrote these songs with this intended sound and worked with the featured artists to create something totally unique and creative to them. 

“The Path Of Totality” is pure adrenaline and is completely different from anything else you will listen too. Korn created something special with this record, and while it remains to be seen if they will continue to release albums like this in the future, you have to give credit to a band which keeps pushing boundaries into unexpected territories 20 years into their career. 












6. Sebastian Bach - “Kicking & Screaming”
Sebastian Bach is one of the greatest rock singers to emerge in the  90's and the first two Skid Row records are two of my all time favorite albums. 

Due to an awkwardly timed October snowstorm, I was able to see Bach live and the guy sounds just as good today as he did when he first arrived on the scene in the late 80's, plus his showmanship and rock and roll spirit is unmatched. 

Even though, Bach's last solo album “Angel Down” was incredible and super heavy, for some reason I was not expecting a lot from “Kicking & Screaming.” However, I could not have been more wrong, as the record is undeniably fantastic. 

“Kicking & Screaming” is better than “Angel Down” and is a highly enjoyable album. Bach's vocals are just as great as they have always been and the record has a youthful energy, which makes the listening experience that much more exciting.

There is so much more on this release than their was on “Angel Down” as Bach has let go some of the metal elements and returned back to his roots. The title track is potentially my favorite song of the year and it goes without saying that Sebastian Bach has released one of the best hard rock albums of 2011.











5. Mastodon - The Hunter 
It does not get any better than progressive sludge metal.

I never really got into Mastodon before this record, cause I could not bother with trying to patiently sit through their concept albums, but that all changed with “The Hunter” and now Mastodon is one of my favorite bands.  

The fret work on “The Hunter” is something Tony Iommi would be proud of and along with monstrous chorus' and powerful drumming, Mastodon's latest release is catchy and unique only too them. 

The songs are short and easy to get into, featuring a variety of intriguing sounds on each track, plus “The Hunter” provide some interesting lyrics such as “I killed a man cause he killed my goat, I put my hands around his throat” on “Curl of the Burl.” 

“The Hunter” is a very focused and immediate album which captivates and holds the listener in from the very first song until the ending note, and is a record I will consistently play for the foreseeable future. 











4. Machine Head – Unto The Locust
In 2007, Machine Head released “The Blackening” which is the greatest musical release of the 21st century. 

With that said, Machine Head faced a difficult task in matching the excellence displayed on that masterpiece and followed it up with an equally captivating release with “Unto The Locust.” 

Catchier and a little more melodic, “Unto The Locust” features seven non-skippable intense tracks. The energy on this record is unmatched and sums up everything I love about metal.

The band even takes a detour and experiments with a slower ballad type song “Darkness Within” which is easily the best thing on this record. Brilliant and totally unexpected, the lyrics are exceptional and moving, and made the hairs on the back of my neck standup. 

Machine Head is the top band out in the metal world today and have released back to back flawless masterpieces. There appears to be no end to this band's inspiration at this point, and God only knows what they'll come up with next.












3. Iced Earth – Dystopia
One of the most surprising records of the year for me, I never listened to Iced Earth before this record and only gave them a chance because I was so bored with my iTunes collection and needed to hear something different.

I am very happy I did, because even though a lot of legendary thrash metal bands such as Metallica, Megadeth and Anthrax put out records this year, Iced Earth an unknown band to me at the beginning of the year put out my favorite thrash metal album of 2011.

A confidence boosting record, I religiously listen to “Dystopia” all the way through every time I put it on, and could never stop or skip a song once the album starts. 

Rhythm guitarist, Jon Schaffer lays down mind bending work and Stu Block has a wide vocal range delivery, which always keeps things interesting. Iced Earth made me a lifelong fan with “Dystopia” and I eagerly await seeing them live in 2012 and look forward to their future releases. 

I recommend every metal head give “Dystopia” a chance, you won't be disappointed.











2. Foo Fighters – Wasting Light
If there were any qualms about the Foo Fighters being the biggest rock and roll band to emerge in the last 20 years, one need not look further than “Wasting Light” to cease any and all doubt. 

A great ride from start to finish, like all Foo Fighters albums, the music on “Wasting Light”  is incredible and instantly charming. Fun, energetic, and unendingly catchy, every track could be a potential single and I assure you, you will be singing along midway through each tune. 

Remarkably, “Wasting Light” is also the heaviest record the Foo Fighters ever put out, but the focus and catchiness upstage and distract you from noticing how hard this album hits.  

In my opinion, “Wasting Light” is the best Foo Fighters album yet. The record also features the return of original guitarist Pat Smear, who helped create some of the Foo Fighters biggest and earliest classics such as “Everlong” and “My Hero.” Smear's addition not only brings back the classic Foo Fighters sound, but also marks the first time the Foo Fighters operated with three guitarists.

“Wasting Light” is as close as you get to the perfect album, as everything from the songwriting, to the production, to the performances of the band members is absolutely spot on. Dave Grohl and the boys created a big rock and roll record, which both long time fans and new fans will highly enjoy. The album deserves all the praise it has been getting, as “Wasting Light” is potentially the best musical release of the year.



































1. Times Of Grace - The Hymn Of A Broken Man
 Duh!

If you know me, you know I love this record, it's UN-FUCKING-BELIEVABLE! Such an inspiring album, this record got me through the toughest, most difficult time period of my life. 

Never before, have I ever been so connected to a piece of music and been able to relate to every single song. It's SO real and meaningful!

I have always been a huge Killswitch Engage fan, especially their record “Alive Or Just Breathing” with Jesse Leach, so when Adam D. announced he was reuniting with his former band member, I was ecstatic. 

The lyrics are about overcoming obstacles and are heartfelt, but very intense, which fit's right into Leach's vocal delivery. When you listen to the album, you can tell that Leach has some serious problems, and is not just playing into a gimmick, and it was something I needed to hear. The record is filled with such passion and still just gives me goosebumps every time I listen to it, as well as giving me a positive outlook on life, and the ability to carry on.  

“The Hymn Of A Broken Man” makes you look inward, and as soon as you listen to the album, it's going to deeply affect you. However, the album is also extremely dark at times, which makes the listening experience that much more intense, but also makes the optimistic songs that much more impactful and powerful.

Even today, I still find inspiration when I listen to this record. Every time I put it on, I learn new things about myself and my outlook on life changes for the better. I'm never going to get sick of Times of Grace and even if the band was only a one time thing, it will always be a classic to me. 

This album restored my faith in music, and I knew it was going to be game changing the first time I heard it. I never once had any doubts that it was going to be my favorite record of the year.

Music fans of any genre, need to listen to this record, cause it is one of the greatest releases of our time. 

Best record of the year by far, “Live In Love” and listen to it!












Honorable Mentions:
Megadeth "Th1rt3en" - the most consistently good band out of the Big 4. "Public Enemy #1" is mind numbingly good.
Anthrax "Worship Music" - their best release yet. "Fight 'Em Til You Can't" "Devil You Know" and "In The End" are spectacular.
Five Finger Death Punch "American Capitalist" - bro metal at its finest. "Under & Over It" is great and the ballad "Remember Everything" risk payed off, and showed their improvement. 
Sixx A.M. "This Is Gonna Hurt" - great hard rock record, however it is not as good as their classic first release.
Crowbar "Sever The Wicked Hand" - the riff master Kirk Windstein put out the best Crowbar record yet. Sludge metal with punk influences. 
Ghost "Opus Eponymous" - only reason it's not on my list is because it came out in 2010, however 2011 was the first time I heard it. Have not stopped listening to it since. 
Hemoptysis "Misanthropic Slaughter" - the future of thrash metal. Listen to "M.O.D." and you'll understand why. 
Wednesday 13  "Calling All Corpses" - call it the ghoul in me, but horror punk will always be my favorite sub-genre. Wednesday 13 also has an awesome and unique voice.

Friday, December 2, 2011

Korn "The Path of Totality" Review

On December 6th, Korn will release their tenth studio album “The Path of Totality.” Throwing caution to the wind, Korn experiment with “The Path of Totality”, as it is a full collaboration album with a bunch of electronica and dubstep producers.

Coming off the heels of what I think was the best heavy metal record of 2010 “Korn III: Remember Who You Are”, “The Path of Totality” is a big musical departure. Although Korn have experimented on albums in the past, it has never been quite to this scale. Surprisingly, however, the clash of styles works really well and “The Path of Totality” is a real fun record to listen too.

Featuring Skrillex, Datsik, Excision, Downlink, Noisia, 12th Planet and Feed Me behind the boards, the album while a departure from their previous sound is still very much a true Korn record. There are loads of guitar throughout the record and Fieldy's bass playing is heavily heard on every tune.

The great thing about this record, is that it is fully a collaboration album and not a bunch of remixed songs. There are not any awkward moments and that is because the songs were written with this sound already in mind. The tracks are composed entirely in Korn's style, but this time electronica and dubstep were incorporated into the songwriting process. A great example of this is the album's first single “Get Up!” featuring Skrillex, since it is a pounding, brutal, futuristic metal track.

I applaud Korn for trying something new and for making the record that they wanted to make. It is no secret that frontman Jonathan Davis has a love for electronica and dubstep music, so for Korn to find a way to mesh the two genre's together in a fashion that works is not only brave but inspiring as well.

With all that said, there are still some faults with the record, though they are quite minor. The album does seem a bit long to me and that is because “The Path of Totality” does get a bit repetitive and monotonous at times. However, I'm sure this will change once the record grows on me and I get a bit more familiar with all the tunes and the different structures of each track. Also, the album is best listened too on a loud sound system and not just from Ipod or regular computer speakers. These tracks are meant to be blasted to get the full experience and anything less will take away the spectacle of the record.

I listened to the first couple songs on the computer when I initially got the record and they sounded decent to me. It was not until I listened to the album in my car with a full subwoofer and amplifier, did “The Path of Totality” truly come alive. Unfortunately, not all people enjoy these luxuries and will miss out on most of the features which make “The Path of Totality” special.

In conclusion, I really enjoyed “The Path of Totality” and would definitely recommend it to anyone who enjoys either heavy metal or dubstep, since you get the best of both world's on this record. I'm very confident that most people are going to dismiss this record either because A) they don't like Korn, B) they're close minded C) they don't possess the tools necessary to listen to this record properly.

However, I like Korn, am willing to open my mind and experience new things and have the equipment to wake people up from blocks away, so I will be listening to “The Path of Totality” and think you should listen to it too, instead of the new Nickleback record. Trust me, you'll thank me later.

Ranked on the Beavis and Butt-Head Scale:
3.5 Beavis' out of 5 Butt-Head's

Songs I Recommend:
Chaos Lives In Everything, Narcissistic Cannibal, Sanctuary, Get Up!, Fuels The Comedy

Tracklist:
1.Chaos Lives In Everything (feat. Skrillex)

2.Kill Mercy Within (feat. Noisia)

3.My Wall (feat. Excision)

4.Narcissistic Cannibal (feat. Skrillex & Kill The Noise)
5.Illuminati (feat. Excision & Downlink)

6.Burn The Obedient (feat. Noisia)

7.Sanctuary (feat. Downlink)

8.Let’s Go (feat. Noisia)

9.Get Up! (feat. Skrillex)
10.
 Way Too Far (feat. 12th Planet)

11. Bleeding Out (feat. Feed Me)


Bonus Songs:
12. Fuels The Comedy (feat. Kill The Noise)

13. Tension (feat. Excision, Datsik & Downlink)

Sunday, November 27, 2011

Top 25 Favorite Albums

1. Wu Tang Clan – Enter the 36 Chambers – maybe it's hometown pride but this was the first album I ever fell in love with. Still to this day, the most hardcore hip-hop record ever recorded. Tough battle laced rhymes and RZA's eerie production is spot-on. The kung fu samples spread throughout this album, also introduced me to some of my favorite martial arts films of all time.

Favorite Track: Da Mystery of Chessboxin'


2.HIM – Razorblade Romance – I remember the first time I ever heard this record and it blew me away. It was nothing like I had ever heard before and was completely different from every other rock record I ever listened too. Still to this day, I listen to this album front to back multiple times a months and it never gets old to me. I even have a Heartagram tattooed on my chest, that's how much I love this record.

Favorite Track: Poison Girl

3.Pantera – Vulgar Display of Power – the title of this album defines exactly what it is. This record is like a shot of adrenaline. Every time it's played I'm up and ready to kick as much ass as possible. Not only are the lyrics full of positivity (A New Level) but I think it's Dimebag's best work on the guitar. One of my go to albums anytime I hit the gym.

Favorite Track: A New Level

4.Eminem – The Marshall Mathers LP – my introduction to Eminem. The anger on this record was something anyone could relate too and it's Eminem at his lyrical best. No one was safe on this record as Eminem attacked every single person relevant at the time. There is not one bad track on this record and I remember getting ecstatic every time “The Real Slim Shady” video came on MTV. Still my favorite Eminem album.

Favorite Track: Stan


5.Metallica – Ride The Lightning – WOW! Out of the 8 songs on this record, 4 of them are my favorite Metallica songs of all time. The bass opening on “For Whom The Bell Tolls” was actually my inspiration to pick up and play the instrument, after seeing Cliff Burton videos playing the song live.

Favorite Track: Creeping Death


6.Joe Budden – Mood Muzik 2 – even though this is a mixtape, to me this will always be Budden's masterpiece. The soundtrack to my high school years, I listened to this album almost everyday while riding the bus to school in the morning for two straight years. I can still effortlessly recite all lyrics to “Dumb Out” even though the song is 8 minutes long.

Favorite Track: Dumb Out

7.Guns N Roses – Appetite for Destruction – the perfect record. Even if you don't like rock and roll, you most likely still like this album. A gritty street record, there is not a single flaw with this debut and catapulted Guns N Roses to be one of the biggest bands of all time.

Favorite Track: Sweet Child O' Mine


8.Avenged Sevenfold – City of Evil – the album which brought me back into the world of rock and roll, after I had abandoned it for a couple years. Never hearing the band before, I heard “Bat Country” at one of my buddy's houses and immediately became a huge fan of A7X.

Favorite Track: Trashed And Scattered

9.50 Cent – Get Rich Or Die Tryin' – still in my opinion, the only classic hip-hop record to be released since 2000. Being a fan of 50 for a couple of years prior due to my brother playing his mixtapes, I felt a sense of pride when his record became such a huge success cause I got to tell all my friends I told you so.

Favorite Track: Many Men (Wish Death)


10.Escape The Fate – Dying Is Your Latest Fashion - probably the oddest choice on this list, but I love this record. The only ETF album with Ronnie Radke on vocals and Omar on guitar, this album has it all. A diverse record with pop elements, screaming and melodic singing, I can put this album on anytime I don't know what I feel like listening too and will know it was the right choice.

Favorite Track: Not Good Enough For The Truth In Cliche

11.Trivium – Shogun – although I love every record Trivium released, this one is my favorite. The mythology lyrics on this record really stand out to me, since it was a topic I was heavily into at the time. Exceeding every expectation I had for this record, Trivium secured themselves as my favorite band with this release.

Favorite Track: Into The Mouth of Hell We March


12.Motley Crue – Dr. Feelgood – the soundtrack to my decadent years. I wanted to be like Nikki Sixx and I would drink bottles of Jack Daniels like it was nothing and do any drug presented to me in order to be perceived like him. This album brings back some of the best but darkest times of my life but I don't regret a single moment of it and would do it all again if I could.

Favorite Track: Kickstart My Heart

13.Jedi Mind Tricks – Servants In Heaven, Kings In Hell – another high school album, this album reminded me of the Wu Tang Clan. I was into the underground hip-hop scene and at the time, Vinnie Paz was the king of the underground and this was his masterpiece. I didn't think you were cool or worth the time if you didn't like this album. RA the Rugged Man's verse on “Uncommon Valor: A Vietnam Story” is still one of the most breathtaking things I have ever heard.

Favorite Track: Razorblade Romance

14.Sum 41 – All Killer No Filler – if you grew up in the 90's and skateboarded, this album was your life. Great memories of skating around the neighborhood and going to skateparks with this album being blasted in my walkman. The ultimate record for any young punk.

Favorite Track: Fat Lip


15.Megadeth – Rust In Peace – my favorite Megadeth album, the riffs on this record are godlike and amazing. The first two tracks on this record, “Holy Wars...The Punishment Due” and “Hangar 18” alone are enough to warrant a place on this list. Dave Mustaine is the most underrated riff writer of all time, and one of the biggest bad assess ever in rock and roll.

Favorite Track: Hangar 18

16.Slayer – Reign In Blood – instant energy and highly chaotic. I'm convinced this is what you would hear, if you ever visited hell. For a metal album, the song's are really short but the intensity of each song makes up for the length. Another mainstay on my iPod for the gym.

Favorite Track: Raining Blood


17.Eminem – The Slim Shady LP – hilarious lyrics, this record was unlike anything I had ever heard. Although, Eminem has tried to be funny he never quite came close to matching anything on this album. Funny and wittty but with a serious skill set and delivery, this record is a good time and a fun listen.

Favorite Track: Rock Bottom

18. Blink 182 – Enema Of The State – my favorite song's and video's MTV ever played. A perfect pop punk record, I would make my parent's listen to this album any place we ever went. I also remember depending on my mood, I would either feel really guilty about listening to “Dysentery Gary” or would shout every obscenity in the song.

Favorite Track: All The Small Things

19.Amon Amarth – Twilight of the Thunder God – my introduction to death metal. I never knew a death metal album could be so melodic and catchy. With lyrics about Vikings and Norse mythology, Amon Amarth made me a lifelong fan with this record. They were also the best live band I have ever seen.

Favorite Track: Twilight of the Thunder God

20.Metallica – Master of Puppets – what can be said about this record what has not already been said. A perfect album front to end, it was also Cliff Burton's last ever work. Possibly the best heavy metal record ever recorded.

Favorite Track: Master of Puppets

21.Down – NOLA - “The power of the riff compels me.” I remember being ecstatic when I found out about this band. Phil Anselmo had long been my favorite vocalist and when I found out he had other work besides Pantera, I was pumped up. Different in style from Pantera, Down is slower and doomier, but is still just as heavy with a bunch of great riffs and one of my favorite bands today.

Favorite Track: Bury Me In Smoke

22.Sixx: A.M. – The Heroin Diaries Soundtrack – the album centered around Nikki Sixx's book “The Heroin Diaries” this album really put things into perspective for me and helped lead me towards a healthier life. Both the book and the album are among my all time favorites and have helped turn me into the person I am today. This album also contains my favorite song of all time, “Life Is Beautiful.”

Favorite Track: Life Is Beautiful

23.Times of Grace – Hymn of A Broken Man – by far the best album released in 2011. Exactly what I needed to hear when I was getting clean, the album is about overcoming struggle and bringing yourself out of dark times.

Favorite Track: Live In Love

24.Yelawolf – Trunk Muzik 0-60 – I bought and put a sub in my car, especially for this album. Still being played in my car to this day, this record blew my mind with its heavy bass. Wolf's lyrics are rapid fire and raw, making this one of my favorite albums to listen to while driving.

Favorite Track: Pop The Trunk

25.Operation Ivy – Energy – one of my favorite hardcore punk records ever recorded, this album even has elements of ska added to it. Played pretty much exclusively this entire summer, Operation Ivy is hectic and while I wish they put out more music, at least I got one of my favorite punk bands of all time, Rancid out of it.

Favorite Track: Smiling

Monday, October 24, 2011

Megadeth "TH1RT3EN" Review

On November 1st 2011, Megadeth will release their thirteenth studio album aptly titled “Th1rt3een.”

Having always been the most consistent band out of the Big 4 (Metallica, Slayer, Megadeth, and Anthrax) and heavy metal in general, “Th1rt3en” is a very diverse record which has everything from radio friendly songs (Public Enemy #1), to hard hitting thrash (Never Dead) and even some cool dark sounding stuff (Millennium of the Blind, 13.)

In my opinion, Dave Mustaine has always been one of the most underrated riff writers of all time and on this guitar driven record, he plays to his strength. The riffs are as memorable as they were back in 1990 and shows that even at age 50, Mustaine has not lost a single step. Him and fellow guitarist Chris Broderick have a much stronger back and forth dynamic on their second full length release together as the solo's mesh better and have a more unified sound. Add in the fact that founding bassist David Ellefson has made his long awaited return to the band after a ten year absence, and the result is a rejuvenated superior sounding Megadeth.

While still primarily a thrash album, “Th1rt3en” is a much more experimental sounding record than Megadeth's previous release “Endgame.” Although not always the case for most albums, for “Th1rt3en” the experimentation is positive, as it allows Megadeth to incorporate some old school Black Sabbath sounding stuff as well as more modern sounds to the songs with great results. However, each song is still distinctively Megadeth from the chugging guitar riffs to the loud heavy but technical and precise drumming, each song on “Th1rt3en” would not feel out of place on an earlier Megadeth release during their prime golden years.

The perfect example, is the opening song on the record “Sudden Death” as it has all the elements one would expect from Megadeth and opens up the album kicking you straight in the ass. The heavy drumming, galloping riff and beautiful guitar solo are all hard hitting thrash and a brutal way to kick off the album.

This leads right into the first single released from the record and it is “Public Enemy #1.” “Public Enemy #1” features all of the above attributes but also features a catchy chorus which is perfect for radio and live shows, allowing crowds all across the globe to sing along with for years to come.

A standout track on the album is the song “Never Dead.” Progressing from a minute long dark, gloomy, slow building intro the song jolts in unbelievably fast in an all out thrash metal assault. The track never relents its speed for the duration of the course and is thus the fastest and one of the heaviest songs on the album.

“Black Swan” is another great song on “Th1rt3en”, but unlike “Never Dead” it is a slower and friendlier hard rock type of song which I could see getting spins on the radio due to its catchy chorus. However, right after this the album picks up speed right again on the next track “Wrecker.” Along with featuring an amazing guitar solo, “Wrecker is the track with my favorite vocal performance. Mustaine seems angrier on this song, and his scream during portions of the track sound brutal and slightly deranged.

“Th1rt3en” closes out with a theatrical experimental song which is also the titled track of the album. With a sound similar to Megadeth's classic “In My Darkest Hour”, “13” closes the album on a solid note. Despite the slow beginning, the song picks up pace and intensity halfway through and ends really heavy before calming down again.

Overall, I immensely enjoyed “Th1rt3en” as Megadeth have once again put out a worthy and extreme metal release. In a time where it is difficult to get excited about heavy metal music due to all the crappy releases, it is comforting to know that with a Megadeth release you will always get quality music. Sounding just as good as they ever did, “Th1rt3en” is a record which is easy to get into if you're a fan as it has elements from previous records as well as new progressing material you expect from a legendary band of this caliber.

Ranked on the Beavis and Butt-Head Scale:
4 Beavis' out of 5 Butt-Heads

Songs I Recommend:
Public Enemy #1, Never Dead, Black Swan, Wrecker, 13

Tracklist:
1.Sudden Death
2.Public Enemy #1
3.Whose Life (Is It Anyways?)
4.We The People
5.Guns, Drugs, Money
6.Never Dead
7.New World Order
8.Fast Lane
9.Black Swan
10.Wrecker
11.Millennium of the Blind
12.Deadly Nightshade
13.13

Thursday, October 20, 2011

Wednesday 13 "Calling All Corpses" Review

Monsters and goblins and candy oh my! Halloween, the most wonderful season of them all is upon us and what better way to start the ghoulish festivities than with a new solo album by Wednesday 13 entitled “Calling All Corpses.”

If you are a fan of campy horror movies and macabre parodies of horror such as The Munsters and the Addams Family like myself then “Calling All Corpses” is the album for you. Wednesday 13's lyrics are lighthearted spooky tongue-in cheek fun about turning into werewolves (“Silver Bullets”), punching babies and kicking puppies (“Bad At Being Human”) along with themes that would fit right in with episodes of Tales From The Crypt (“One Knife Stand”) and anthems for misfit outsider kids such as myself (“Something Wicked This Way Comes”). The Murderdolls front man sings about what he knows best which is refreshing and fun particularly during this time of year.

Vocally, Wednesday remains distinct and his voice sounds like a cross between Rob Zombie and Alice Cooper. The music on the record is pure high energy unrelenting punk reminiscent of The Misfits which is sure to keep your devil horns in the air and your head banging for the duration of the album. Huge simple catchy choruses dominate the entire record and midway through each song you will be left singing along especially on “Ghoul of My Dreams” and “London After Midnight.”

There is a real charm to “Calling All Corpses”, because the album never takes itself seriously. It is supposed to be a fun record and Wednesday 13 delivers with the perfect album for the Halloween season and to prepare us for all the devious deeds we will take part of October 31st. If you really want to get the most out of Halloween, I definitely recommend giving “Calling All Corpses” a listen as it is a frighteningly spooktacular time.

Ranked on the Beavis and Butt-Head Scale:
3 Beavis' Out of 5 Butt-Heads

Songs I Recommend:
I Wanna Be Cremated, Ghoul of My Dreams, Bad At Being Human, London After Midnight, Something Wicked This Way Comes

Tracklist:
1.Blood Fades To Black
2.I Wanna Be Cremated
3.Ghoul of My Dreams
4.One Knife Stand
5.Calling All Corpses
6.Miss Morgue
7.Silver Bullets
8.Bad At Being Human
9.London After Midnight
10.Candle For The Devil
11.We All Die
12.Something Wicked This Way Comes
13.Blood Fades To Black (Reprise)

Wednesday, October 19, 2011

"Loutallica" Metallica & Lou Reed - "Lulu" Review

Over the year, many odd musical developments have occurred but the announcement of Lou Reed and Metallica joining forces to work on an album together was possibly the most shocking event of 2011. From the inception, metal music lovers all around the globe have voiced their opinion on the collaboration between the two and the date is finally here where “Lulu” the bizarre offspring of Lou Reed and Metallica has been released.

The idea for the pair to work together began in 2009, when both Lou Reed and Metallica preformed at the Rock and Roll Hall of Fame's 25th Anniversary Concert. Once they agreed to collaborate, the plan was for Metallica to simply re-record some unreleased Lou Reed tracks, but eventually evolved after Metallica provided significant contributions to the musical arrangements. It was at this time, Lou Reed felt Metallica would be able to bring his demos of a German expressionist play written by Frank Wedekind, titled “Lulu” to the next level and give it the extra heaviness it required. At this moment, the conception of “Lulu” was born.

The lyrics on “Lulu” were entirely written by Lou Reed and tell his interpretations of the play based on the same name, about a beautiful yet immoral prostitute. Written in the same poetic style that fans of Reed expect, lyrically “Lulu” is a rewarding yet sometimes difficult experience.

Now before I go any further with this review, I need to make one point absolutely clear that this is not a heavy metal album and can not be judged from a heavy metal stand point. The musical composition is decent at best and if you go into “Lulu” expecting a record like “Master of Puppets” you will be gravely disappointed. Metallica is pushing and experimenting with their musical abilities but this is not how Metallica should sound as most of the album sounds like uninspired demo recordings. Yet despite the countless great riffs Metallica have created over the years, none of them seem to be featured on “Lulu." Kirk Hammett, one of the greatest heavy metal guitarists of all time is no where to be found and Lars Ulrich's drumming is pretty lousy and all over the place. If you give "Lulu" a listen, you need to approach it with an open mind since the music is very abstract. In fact, for the majority of the record, Metallica feels out of place and out of their comfort zone, but still is this is not the worst part of the album.

Even though I had extremely low expectations for this album, I realized as it progressed that my main complaint with “Lulu” was the vocals. Without a doubt, Lou Reed is an acquired taste but his voice does not compliment the music at all and lacks the energy to bless the record and help deliver what the songs need. Reed's voice rarely alters from the same monotonous speaking tone and every time he enters into the song it is out of key and horrendous. All this does, is make the hour and a half long record uncomfortable to listen to especially when Metallica play loud and heavy. Also, fans of James Hetfield's singing style will be let down since the Metallica front man's voice is barely featured on any songs and when it is it is in a supporting and backing role.

Listeners of “Lulu” will either love or hate this record and I doubt many people will find a middle ground. Lovers of “Lulu” will claim it is a dark scary trip of a record and a unique crazy journey into a very mad world. Haters will declare it the biggest musical monstrosity of all time and every comedic expectation they thought they had will be brought to fruition and then some, case in point “I am the table!”. Obviously, I fall into the latter category as “Lulu” is mostly a forgettable and rubbish album for me.

Still, I would recommend giving “Lulu” a listen since it is very possible you will enjoy the record especially if you're into new interpretations of German expressionist drama (?). Just as a long time Metallica and heavy metal fan, I never went back and listened to “Ride The Lightning” or “Master of Puppets” and thought, “Hey, you know what, this could use some Lou Reed!” No matter the amount of people that say "Lulu" is clever and challenging is going to disguise the fact that"Lulu" is cringeworthy dog shit.

Unfortunately, all “Lulu” does for me is prove that two great treats while good separately does not automatically ensue they will taste great together. To conclude,"Lulu" is an unguided, tedious, and dull debacle which fails to reach its lofty aims and continues to show the decline of metal's biggest band.


Ranked on the Beavis and Butt-Head Scale:
1.5 Beavis' out of 5 Butt-Head's

Songs I Recommend:
The View (“I Am The Table!”), Pumping Blood, Dragon

Tracklist:
1. Brandenburg Gate
2. The View
3. Pumping Blood
4. Mistress Dead
5. Iced Honey
6. Cheat On Me
7. Frustration
8. Little Dog
9. Dragon
10. Junior Dad